All the world about her seemed to be—how can one put it?—in wrappers, like a house when people leave it in the summer. “Looks like old times here, I see. I swear it. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. When I found you, you were almost completely insane. ‘Brung the lantern, I did, and opened the door again in case you was ready. Don't be afraid—I won't hurt you. “Afterwards it seems to me that there are no limits to what one may not do amongst one’s own set. “We have scarcely mentioned your name. “A young man comes into life asking how best he may place himself,” Ramage had said; “a woman comes into life thinking instinctively how best she may give herself. Had this not been the case, he must have refused even to see his Frenchified granddaughter. Part of her even believed that her mother would have wanted her to stop feeling guilty and to be happy. So, not exactly hopefully but earnestly, she returned to the feet of God.
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