The Scot understood that, gently and indirectly, Ruth was asking her husband a question, opening a door if he cared to enter. That is why I was so anxious to leave Paris. After all, she found herself reflecting, behind her aunt’s complacent visage there was a past as lurid as any one’s—not, of course, her aunt’s own personal past, which was apparently just that curate and almost incredibly jejune, but an ancestral past with all sorts of scandalous things in it: fire and slaughterings, exogamy, marriage by capture, corroborees, cannibalism! Ancestresses with perhaps dim anticipatory likenesses to her aunt, their hair less neatly done, no doubt, their manners and gestures as yet undisciplined, but still ancestresses in the direct line, must have danced through a brief and stirring life in the woady buff. However the taste of the architecture may be questioned, which was the formal French style of the period, the general effect was imposing. You will find the proof in McClintock's safe. It’s just upon my lunch-time.
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