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Then as she drew nearer paint showed upon her face, and a harsh purpose behind the quiet expression of her open countenance, and a sort of unreality in her splendor betrayed itself for which Ann Veronica could not recall the right word—a word, half understood, that lurked and hid in her mind, the word “meretricious. Fortescue in the drawing-room, and actually shake hands with him in an entirely hopeless manner and hope everything would turn out for the best. Some of their specimens—wonderfully selected, wonderfully got up. No doubt there’s some little mistake. If only she had thought to plunge the scissors into her own heart! Hoddy … to return and find her either gone or dead! But even as the Wastrel's arms gathered her, there came the sound of hurrying steps on the veranda. This lady is my wife, and I have a right to be here. They were drenched with water and suds. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. She won’t be a problem from now on.
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