Still, she knew instinctively that all of Sidney Carton's life had not been put upon the printed page. But the besetting evil of the place, and that which drew down the severest censures of the writers above-mentioned, was that this spot,—which of all others should have been most free from such intrusion—was made a public exhibition. "Bravo," cried Sheppard, examining its contents, which proved to be a file, a chisel, two or three gimblets, and a piercer. "He's not my son," rejoined the carpenter.
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