CHAPTER XXIV. I may add that the family is well known to me. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. “I don’t see, Mollie,” he remarked, taking a cigar from the box on the table as his sister and daughter rose, “why you and Vee shouldn’t discuss this little affair —whatever it is—without bothering me. Ann Veronica was carried off her intellectual and critical feet by it altogether, and applauded and uttered cries that subsequent reflection failed to endorse. She knew the story only imperfectly, and followed it now with a passionate and deepening interest. " "Nay, if you're bent upon this folly," observed Wild, who appeared to have his own reasons for humouring the lad, "I shan't hinder you. He had, however, planned brilliant careers for his two sons, and, with a certain human amount of warping and delay, they were pursuing these. Nor was he long in making it available.
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